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I highly recommend investing in the Astronomy Tools Action set.
I have highlighted the workaround methods for certain actions such as the star minimizer technique and gradient removal without using Gradient Xterminator.
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Many of the actions can be accomplished manually in a series of steps. This tutorial is still of value to those of you using only DeepSkyStacker and an earlier version of Photoshop. What if I don’t have an action set or plugins?
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The complete list of software I use for astrophotography image processing can be found on the Resources page in the main menu. I will outline the order I run these actions in below. I use some additional plugins and filters that help me process my astrophotography images, including the Astronomy Tools Action Set. While others may prefer to use other tools for image processing such as StarTools or PixInsight, Photoshop continues to be my personal favorite for everything astrophotography. This application is well equipped with all of the tools and actions needed to produce an incredible deep-sky astrophoto.
There are a number of choices when it comes to image processing, but my personal favorite route to take is Adobe Photoshop. If you are interested in seeing an example of the imaging equipment I use for deep sky astrophotography, have a look at this video: What do you need for deep sky astrophotography? This is a typical beginner deep-sky setup that includes a tracking equatorial mount to compensate for the rotation of the Earth. The image used in this tutorial is of the Lagoon Nebula taken using a Canon DSLR camera through an Explore Scientific ED80 telescope.
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Related: Download my Premium Image Processing Guide Before we get started The best part is, you can always come back to your raw data and try out new techniques you have learned. The order of the processing steps will evolve over time as you begin to see where each action falls into place. My advice is to develop a system that works consistently and stick with it. I believe that is important to develop a workflow that both compliments your imaging style and is an enjoyable process.
This step-by-step process takes an RGB (color) image from the initial capture to the final processing stages to enhance color, detail, and clarity. This tutorial is a handy reference for those who wish to process deep sky images captured with a DSLR camera and telescope. I can’t say it’s perfect but it’s gone from an image that never saw the light of day to one that I keep on my Flickr photostream.Astrophotography Image Processing in Photoshopīelow you’ll find my deep sky astrophotography image processing workflow. Final step was to downsize to 1000px tall using the bicubic sharpener setting and save as jpeg. These are more aggressive settings than I normally use but actually made much less impact on the final image than Focus Magic. Then I downsized to 2000 pixels tall and ran Nik Output Sharpener at a fairly high setting, with the Focus slider pulled up to 30%. I then cleaned up a few fringes using the clone tool and ran it through Nik Color Efex to correct the colour balance and give the contrast some help. The correction factor was 19, so it’s at the upper end of the corrections that can be done. The sharper version was put into Photoshop CC and first thing I did was run Focus Magic as a layer.
The original raw file was converted in Lightroom. So much better than any of the usual sharpening techniques and tools, and so I bought it and use it every now and then when I stuff up a shot that can’t be taken again. About 6 months later I came across Focus Magic and remembered this blurry image as the perfect test. A quick chimp at the rear screen afterwards didn’t show the focus problem so I thought I was cool and moved on to the next shot.īack at home I saw the problem and had to leave the shot as unsavable. The skater was only above me for a fraction of a second and the camera was set up to ignore such brief changes in focus, so even with an ultra-wide angle lens the shot ended up being focused on the distant sky rather than the guy. The trouble with this was that I completely forgot about how the autofocus would work. So I lay on my back in the bottom of the basin and had the skater come flying over me. I had the idea of shooting from below the skater so I could better see his face. A few years back I was shooting skateboarders at a local park.
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